Skinner Fine Jewelry Auction: June 2017 Analysis

Back for part two of my analysis of the Skinner Fine Jewelry Auction of June 2017. If you missed my highlights from the Susan Freeman collection that was a part of the June fine jewelry auction, click here.

The results are in! This article will look at how Freeman’s collection of % sold did against the other items in the Skinner auction for this year and last year. Then I will look at what the regular items did by category and see the bottom 6 and top 6 of the auction.

This year versus last year

In my last analysis, we saw that the lots sold were 68% and unsold were 32 % for the Freeman collection. Below a chart of sold and unsold lot % for the 2016 and 2017 June Fine Jewelry Skinner Auctions.

Bar-chart-Skinner-Fine-jewelry-yoy-2017-2016

Freeman’s lots are included in the chart for 2017. You see the bars to the left is the % for 2016 84% sold. The right has this year which is a little lower at 83% sold. If the 14 unsold lots had been sold from the Freeman collection, this would only bump that number up to 86% sold, not a major change from last year. Had all of Freeman’s lots been removed from the auction the sold rate would be at 85%. Even though her collection did not perform as well as the average it did not have a significant impact on the % sold versus last year.

What didn’t sell

So then what categories did not perform as well for the items that did not belong to Freeman. Below a table that does not include the Freeman Collection. The total lots on auction were 413; 37 were Freeman’s leaving us with 376 regular lots at auction.Table-Skinner-June-Fine-jewelry-2017

The category with the most lots were rings at 108 lots. 90% of them sold. The lots in the same category as necklaces and earrings were the lowest performers with only 78% and 76% selling. Without making the article too long and tedious the categories can be drilled down to see if for example studs sold less than long earrings etc. but I am just showing a high-level view for your interest. The categories are not as important as seeing what big ticket items did not sell. For example, which would you rather have if you were employed by an auction house, 3 pairs of earrings estimated to sell for $500 each that do not sell or a ring estimated for $10,000 that is not sold? For me, the later would be worse because more money is lost to me than if the former scenario happened.

The top 6 unsold items by their estimate below:

Skinner-June-Fine-jewelry-2017-Top-3-unsold-itemsSkinner-June-Fine-jewelry-2017-next-3-unsold-items

Hard to believe the Bulgari and Van Cleef & Arpels pieces did not sell. Do you think it was due to the cost, lack of interest, or the design was not pretty enough? As I work more with auction data I will hopefully have a better answer for that.

So, what did better than expected?

King George

A list of the top 6 sold items that performed better than their high estimate. This is different than top selling items by price. If you want that go to the Skinner results and sort by that. I am hoping to dig a little deeper with this data.

Skinner-June-Fine-jewelry-2017-top-3-items-above-estSkinner-June-Fine-jewelry-2017-next-3-items-above-est

For this auction, it was all hail King Georg Jensen! 5 of the 6 pieces did better than estimated. All these pieces were signed. I feel there may be a trend for well-made silver jewelry emerging. I have seen Jensen do well at auctions but time will tell if this will be a designer whose pieces are increasing in value at the auction block.

I hope you enjoyed my auction analysis for the June Skinner Fine Jewelry. Return soon for more from Data in the Rough!

 

 

Susan Freeman Collection at Skinner Auction House

When you travel what items do you buy as souvenirs for yourself? Do you buy any jewelry from your destination? Skinner Auction House in Boston Massachusetts hosted a small sampling of a traveler whose taste veered towards the Arts and Crafts and high-end costume jewelry that went up for sale today. Susan Freeman, a jewelry designer and collector based in New York had 37 items in the June Fine Jewelry sale at Skinner.

I will look at some highlights from Susan Freeman’s collection (to see full collection at Skinner click here) and then look at the results for her collection.

Highlights

For me the top item I wanted to see was the praying mantis brooch by Marcel Boucher. I have a few of his costume jewelry pieces. Marcel Boucher started his career in the 1920s at New York, working for fine jewelry houses such as Cartier. He started his own business in the late 1930s. Many of his pieces are highly collectible due to the quality of work can mistake them for fine jewelry. One of the most collectible pieces is the praying mantis. I have seen it online for sale of up to a few thousand dollars. I went to see Freeman’s brooch in person and was surprised at its size.

A large brooch but if I get the chance I will buy one day. It makes quite a statement.

Another fun item of costume jewelry was a bracelet attributed to Hobe. A designer based in New York in the late 1920s. The jewelry company was popular in the ‘40s and ‘50s. This bracelet is rhinestones and carved green glass.

 

Another vintage costume brooch, designed as a bird clutching a floral spray. No designer listed

A change from the costume was a small amount of Arts and Crafts jewelry like this Silver, Boulder Opal, and Beryl Necklace, with Celtic motifs. Picture from Skinner on left, my picture on right.

 

Her collection

Art Deco and sterling jewelry were also featured in the sale as part of her collection. The pieces came in different materials but were not the romantic, high sparkle you might traditionally think of. Some examples below. (Photos from Skinner)

(l) Art Deco Silver Pendant, Etienne David, France, c. 1930, (m) Art Deco Enamel and Aluminum Cuff, (r) Art Deco Lacquered Metal and Leather Brooch, Attributed to Jean Dunand

 

Her tastes in jewelry are unique. I tried to find more about her but only saw she had a sale at Bonhams for another jewelry collection in December of 2009. (Link to that auction here) Picture below of Freeman from the 1970s provided by Skinner.

Results

How did Freeman’s collection do in Boston? Her collection sold at a rate lower than what last year’s rate of sold versus unsold was. For last year’s fine jewelry (June 2016), 84% of the pieces sold. In Freeman’s collection of 37 pieces only 23 (68%) sold. Of those 23 sold only 9 (39%) met the high estimate or went beyond it. For example, without the buyer’s premium, Lot 32 the Art Deco Silver Pendant by Etienne David pictured above was estimated to sell between $600-$800, it sold for $800. The praying mantis brooch lot 11 was expected to make between $600-$800, it sold for $1000 (no buyer’s premium included). Which is great for the auction house which adds a percentage on to the sale for their fees.

What did not sell? One quick scan of the items shows that of the 14 items, 6 (43%) had been attributed to a designer, meaning the style was inspired but not created by them or at least cannot be proven that they designed it. The pieces that mentioned attributed did not sell. For collectors and investors attributed will not do much for resale value unless the buyer cares only about the design for their own enjoyment or the materials have some value.

The results of all pieces from the fine jewelry auction will be updated and I will see in my next post how the whole auction did and see if Susan Freeman’s collection matched the results for the rest of the auction items.  I hope you enjoyed the article. Do you have any stories about a piece you collected? I would love to hear about it in the comments. Return soon for more from Data in the Rough!